BACKSPACE WRITERS CONFERENCE 2008

For those looking for a writers conference coming up this summer, you should check out the Backspace Writers Conference, which will take place in the heart of the publishing biz world -- New York City -- and will boast many prominent speakers and panelists, including my wonderful editor at St. Martin's, Hilary Rubin Teeman.

Here's some more info:

The 2008 Backspace Writers Conference (August 7 & 8, Radisson Martinique, New York City) brings together literary agents, acquisitions editors, best-selling authors, and publishing professionals for a two-day, two-track program of workshops, panels, and networking in the heart of the publishing world.

In addition to keynote talks by Mark Tavani, a senior editor at Random House, and New York Times bestselling author Lee Child, program highlights include a conversation with Simon Lipskar and Mark Tavani on agents and editors working together, a marketing discussion by M.J. Rose, a workshop from independent editor Jerry Gross on finding and working with a reputable book doctor, a role-playing workshop from Jeff Kleinman: “Buy This Book!”, agent and editor panel discussions, and panels on the young adult market, short stories, memoir, nonfiction, crime fiction, erotica, children’s picture books, and more.

Attendance is limited to 200. $355 for Backspace members; $395 for non-members. In addition, Mystery Writers of America is offering their members a special discount. Register Now and come meet the people who can make a difference in your career!

Literary Agents: Richard Curtis, Simon Lipskar, Jeff Kleinman, Emmanuelle Alspaugh, Paige Wheeler, Laney Katz Becker, Jenny Bent, Maya Rock, Michael Bourret, Scott Hoffman, Ronnie Gramazio, Elisabeth Weed, Stephany Evans

Authors: M.J. Rose, Harry Hunsicker, Jason Pinter, Jackie Kessler, Heather Brewer, Gail Konop Baker, Laurel Corona, Lisa McMann, Jenny Gardiner, Danielle Younge-Ullman, Claudia Gray, Marlys Pearson, Jessica Keener, Elizabeth Letts, A.S. King, Robin Slick, Susan Henderson, Pam Jenoff, Trish Ryan, Leora Skolkin-Smith, Caroline Leavitt, Reed Farrel Coleman, Chris Grabenstein, William Powers

Editors and Other Publishing Professionals: Hilary Rubin Teeman (editor, St. Martin's), Charis Conn (contributing editor, Harper's Magazine), Kristen Weber (senior editor, New American Library), Bella Stander, Jerry Gross, Lauren Cerand, Eileen Winnick


"Backspace is relatively new but it's the real deal - which is amply proved both by the quality of discourse within and the truly amazing hit-rate its members have already achieved." – Lee Child, New York Times best-selling author

"I love being associated with you guys. Such a class act. Backspace is the pre-eminent writers organization because you guys have made it so. Always innovating, thinking outside the box, and just generally doing conferences bigger and better than they have been done before. I'm just honored to have been there from the start." – Kristin Nelson, Nelson Literary Agency

"I mention Backspace whenever I teach my writers' workshop around the country. The yearly Backspace conference is an invaluable resource. I've taught there and can’t say enough good things about the information, encouragement, and enthusiasm they provide." – David Morrell, New York Times bestselling author

From Attendees:

"I have never had such an excellent time at a conference! The presenters were uniformly accessible and pleasant. The overall mood was also excellent."

"The workshop was so well organized and run. Bravo to all of you who worked to pull together a truly remarkable event, well worth the price of admission!"

"The superlatives just flow whenever I try to describe my experience at the conference. I can't say enough or thank you enough. Superb. As I keep telling folks, it's impossible to convey what I took away from the experience, because the most valuable things are the intangibles."

"It was the best writing conference I've ever attended on all dimensions - the amount of new information, real contact with other writers and people in the industry, and the level of truth-telling made it stand out."

"I thought the conference was absolutely fantastic. The informal atmosphere and seriousness of intent combined into an exciting, very useful, very enjoyable weekend of talks and panels. I learned so much, met so many wonderful people, and got a far stronger handle on how to market my work. Many, many thanks."

SECRETS OF THE HOLLYWOOD GIRLS CLUB by Maggie Marr

I’m a sucker for books and movies about Hollywood. In fact, I just watched Robert Altman’s “The Player” over the weekend for the third time, one of the best Hollywood satires ever made. So it’s great to have Maggie Marr as my guest today as part of the Girlfriend’s Cyber Circuit blog lit tour. She is the author of the new novel, SECRETS OF THE HOLLYWOOD GIRLS CLUB, the sequel to her successful HOLLYWOOD GIRLS CLUB.

Maggie is well qualified to write about the world of entertainment. She is a writer and producer for Six Mile Ridge Productions and Dahooma Productions. She began her Hollywood career as a motion picture literary agent at ICM Talent Agency in Los Angeles, where she represented writers, directors, and actors. Maggie worked with Owen Wilson, Cameron Diaz, Ashton Kutcher, and Reese Witherspoon, and was involved in big-name projects including The Rule of Four, He's Just Not That Into You, Charlie's Angels, Austin Powers, Meet The Parents, Wedding Crashers, and Something's Gotta Give. Prior to becoming an agent, Maggie was an attorney, having received her JD from Loyola University in Chicago. She recently completed the television pilot Daughters, and is currently developing a pilot with Mandeville Productions as well as producing two films for Dahooma that begin lensing this year.

LIFE IS GOOD AT THE TOP OF THE A-LIST—
BUT IT’S A LONG WAY DOWN IF YOU FALL

Advance Praise for SECRETS OF THE HOLLYWOOD GIRLS CLUB:

“Marr’s prose is fast and sharp and she keeps the plots flying”—Publishers Weekly

“Frothy, gossipy fun”—Booklist

Here is an interview with Maggie. I have to say I agree with her wise advice for those who are are trying to get their novel published. She’s also got a great “elevator pitch” for SECRETS OF THE HOLLYWOOD GIRLS CLUB.

What was the inspiration behind the writing of Secrets of The Hollywood Girls Club?

Probably my life. I was a literary agent for ICM before writing full time. And I am still a film producer and screenplay writer. So I’ve gotten to witness so many fun and …uhm…interesting things in Entertainment.

What is one thing you’ve learned about the publishing industry since getting your first book deal?

How much work an author had to do to get the word out about their books! Wow, I love what I write and I want everyone to read the books, but it’s a ton of work to tell people about the books…

What is the elevator pitch for Secrets of The Hollywood Girls Club?

Entourage meets Sex And The City.

What is your writing schedule like?

The ideal day is this; get up at 6 am eat breakfast with the family and be in the den at my computer by 7:30 am. I write until noonish. The girls come home and we eat lunch together. Then I put them down for nap and write again from 2 to 4. I might read in the evening, or work on a screenplay, but manuscript writing, pretty much never happens for me after 4 pm.

What is your advice for those who looking to get their novel published?

I blogged about this recently and I have a really Zen approach to getting your first book published. I truly believe that when the manuscript is ready, the agent and publisher will appear. Not that they’ll hop out of your Diet Coke can and offer to represent or publish your novel. Buuuut…if you work and work and write and rewrite and really make the prose shine, then you will find an agent and a publisher. So read a ton, write a ton and persevere. Don’t ever give up.

Good luck with the book, Maggie, and thanks for stopping by.

FROM POD TO WD

The June issue of Writer’s Digest magazine has a brief article plugging my novel, MIDORI BY MOONLIGHT. As any author knows, getting into a national print publication is not easy, so I am ecstatic for the coverage. And the only reason I got this coverage was because in 2000 I self-published a book through a new “print-on-demand” (POD) publisher called iUniverse, a novel called NO KIDDING. This was not a popular option—to publish your own book by what some call a “vanity press.” I often argued about this phrase, because in the music business, putting out your own CD by way of a distribution and reproduction service is often lauded, but doing that with a book somehow is a big no-no. At any rate, I had heard about author M.J. Rose who had self-published her book “Lip Service,” and had gotten picked up by a major publisher and was inspired by that. NO KIDDING had been turned down by a good number of literary agents, so I figured that maybe by self-publishing it, maybe it would get noticed by a “legit” publisher. So I went through the program at iUniverse, did some heavy online promotion, got the book on Amazon (no brick-and-mortar store would carry it) and I actually got some sales, some fan letters, and a few positive reviews. But still no agent was interested and no legit publisher. In 2002 I decided, what the heck, and entered the book in the Writer’s Digest Best Self-Published Book Awards. I didn’t win the grand prize, but ended up receiving an honorable mention in the Mainstream/Literary Fiction category, of which there was one award per category. I got a nice letter from WD and a certificate, but this subsequently did not seem to impress any literary agents.

Fast forward to Fall 2007 when I got my “debut” novel published by St. Martin’s, called MIDORI BY MOONLIGHT (actually the *fifth* novel I’d written). I contacted WD and basically said, “Remember me? I won a prize in your contest and now I have a published book!” They invited me to be a guest for a day on one of their online forums, which was a lot of fun, but afterwards I asked, “Would it be a possibility to get a mention in the print publication?” They said they’d try and, to my pleasant surprise, here is my article in the June issue. My Amazon numbers spiked and I started getting emails from all over.

Now, would I advise writers to self-pub through a POD now? For a novel, probably not. The climate is very different now from what it was in 2000, and the amount of writers self-publishing through POD has increased astronomically; there is way too much competition. But my message is to never give up and always look for innovative ways to get your work noticed. NO KIDDING never found a home with a legit publisher, but winning a prize in the contest gave me a confidence boost, which led to my pursuit of improving my craft, learning more about the business, and eventually getting a book contract. You’ll never know if you don’t try.

GETTING AWAY IS DEADLY - by Sara Rosett

As part of the Girlfriends' Cyber Circuit lit blog tour, my guest today is Sara Rosett, the author of a delightful-sounding mystery from Kensington called, Getting Away is Deadly.

Getting Away is Deadly is the third book in the mom lit mystery series about a military spouse who runs a professional organizing business.

It was the perfect vacation until murder rearranged the itinerary... (Great tag line!)

With swollen feet, pregnant Ellie joins the nation’s tourists in seeing the sights in Washington D.C. But a fatal incident at the Metro station convinces Ellie that something is rotten in the capital city. Should she do the safe thing and pack her bags? Not likely when too many people are telling lies, hiding secrets, and acting suspiciously. Luckily, Ellie Avery is just the right woman to clean up the most mysterious cases of murder—even if she has to brave the most dangerous byways in the corridors of power . . .

Reviews for Getting Away is Deadly:

Publishers Weekly: “…sparkling….”

The Mystery Gazette: “Fans of amateur sleuth mysteries will relish GETTING AWAY IS DEADLY as the tale contains a delightful whodunit that serves as a tour of Washington DC.”

Sara was kind enough to answer some questions. Writers will find her approach to organizing a book interesting...

What was the inspiration behind the writing of Getting Away is Deadly?

I accompanied my husband, who is military pilot, when he went to Washington D.C. for two training classes and those trips inspired the book. I didn’t witness a fatal accident in a Metro station, but I couldn’t help thinking what dangerous places they were. And then I made the typical mystery writer leap—what if someone fell into the path of an incoming train? I also saw the tourist sights and included some in Getting Away is Deadly, including the Lincoln Memorial, the museum of natural history and the air and space museum. Washington D.C., also seemed like an appropriate setting for a series about a military spouse.

What is one thing you’ve learned about the publishing industry since
getting your first book deal?

I’ve learned that it is a very capricious business. One month your type of book is hot and the industry can’t get enough of it, then later things can switch and publishers are dropping lines, cutting every author who writes that type of book. I’ve also discovered things seem to move either so slowly you can’t tell they’re moving or you’re flying along barely able to keep up!

What is your advice for those who looking to get their novel published?

Read as much as you can in the genre you want to be published in and go to writer’s conferences. I found several in my local area when I began writing. I entered samples of my book in their contests and got feedback from published authors, which was really helpful to me. Don’t give up. You have to be persistent and patient.

How do you approach writing your novel? Do you outline the plot? Start with a character or...?

I don’t outline, but since my books are mysteries I have to have a good handle on where the plot is going. I take a huge sheet of butcher paper and sketch out a rough timeline for the book, then jot down ideas for characters and plot twists as they come to me. Not writing it in outline form frees me up and I feel more comfortable. It turns into a sort of graphic organizer. I usually start with an idea, a situation, a “what if….” and then think about what sort of characters would be involved in that situation.

What are you reading now?

I just finished Emma. I’d seen the BBC adaptation on A&E and wanted to read the book after seeing it. I have to say, the A&E version is pretty faithful to the book. Next up on my To-Be-Read List is a mystery by Sarah Graves called The Book of Old Houses.

To MFA or Not to MFA?

In just about a month I’ll be finishing classes in my intensive two-year MFA in Writing program at the University of San Francisco. Then all that’s left to do is to complete the novel that will be my major project, due in early August, and I’ll graduate with my MFA. The time has flown by and I know I’m going to miss the intellectual stimulation and camaraderie of my fellow writers. I couldn’t have been happier with the program, which offers evening classes twice a week, on Tuesdays (writing workshop) and Wednesdays (seminar). I have learned so much about both craft and literature from wonderful instructors, who are passionate about writing and books.

So as an aspiring novelist should you go for an MFA? There are as many MFA programs out there as there are types of writers and it seems that both are increasing at breakneck speed. It seems now more than ever that everyone wants to write a novel, having been told countless times that everyone has a story in them.

An MFA won’t guarantee that you’ll sell your novel or that you’ll even be able to get a teaching job: it’s not the most practical degree in the world. Many programs combine the study of literature with the teaching of craft, giving students a well-rounded education. If you don’t need or want this, you may be better off having your novel critiqued by a manuscript consultant or teacher and not worry about getting a degree. However, I know there are students in my program who went in knowing they would have deadlines and that they would have their novel finished in two years and this was a big motivator for them; it would have been much harder to do it on their own.

There are a number of programs for working adults that include night courses or what is called “low-residency.” Low-residency MFA programs allow students to do the majority of their work online from home, with a couple of 10-day (or so) stints on-campus per year. This would give a student who lives in California, for example, the opportunity to study at a university in Vermont.

There are many resources on the Web regarding MFA programs. Tom Kealey has written a valuable guide called The Creative Writing MFA, which profiles fifty programs. The book has a useful companion blog as well.

Another source is Poets & Writers Magazine, which is filled with ads for MFA programs. Also, The Association of Writers and Writing Programs (AWP) is a great organization that offers The AWP Official Guide to Writing Programs as well as their stimulating magazine, The Writer’s Chronicle.

To all who are graduating soon with their MFAs or who have just been accepted to their dream program—congratulations!

Conferences for Writers

I just received a pamphlet in the mail entitled The Writer’s Summer for the Southampton Writers Conference sponsored by the Stony Brook Southampton MFA program in Writing and Literature. This reminded me that summer will be here soon and now is the time to start looking into writers conferences. Of course, there are conferences all year round and a great resource for finding them by location and month is the Shaw Guides. Poets & Writers magazine is also another good source for conferences.

How can a writers conference be helpful to an aspiring novelist? There are as many answers to that question as there are types of conferences. There are those that focus on hands-on workshops where you can get direct feedback on your writing, and others that emphasize the business side; meeting agents and editors and even having them read excerpts of your work. It is also valuable to network with other writers as well as to meet published authors and learn about their experience on the road to publication.

A writers conference that I found very helpful was the Squaw Valley Community of Writers, which I attended in 2001 and 2002. This conference, now in its 39th year, takes place every August in Northern California and includes workshops, lectures, panels, readings, and individual meetings with agents and editors. What I especially liked was that it required a writing sample as part of the application so the fact of getting accepted equalled encouragement of my writing goals. I felt that the price of the conference, including accommodations and some meals, was quite reasonable. I treasure the writer friends I met at Squaw through workshopping, socializing, and the shared housing.

Another conference I enjoyed was the San Diego State University Writers Conference, which is held every January. This is a more business-focused conference, though they do have some informal workshopping. What I liked was the opportunity to have agents and editors read an excerpt of my novel ahead of time and then be able to meet with them one-on-one for feedback. There were also interesting panels about all aspects of the publishing industry, from securing an agent to book contracts to royalties, with many to choose from.

Writing can make for a lonely existence and it’s great to be able to take some time out to network face-to-face with other writers. You can share your war stories and make some great friendships while getting valuable input on your writing career.

SLEEPING WITH WARD CLEAVER - by Jenny Gardiner

SLEEPING WITH WARD CLEAVER. It’s a great, eye-catching title, right? So it’s not surprising that my guest today, as part of the Girlfriends' Cyber Circuit lit blog tour is Jenny Gardiner, won the American Title contest and in turn had her debut novel published by Dorchester Publishing, the oldest independent mass market publisher in the United States. SWWC has been called sharp and witty, and tells the the tale of mother-of-five Claire Doolittle, who seems to have lost her way, and realizes her husband Jack has turned into a modern-day version of Ward Cleaver, the stuff-shirted father from the Leave it to Beaver sitcom. Things become complicated when a former fiance suddenly re-enters her life, and Claire must figure out who she is and who she really wants to be, and decide whether her sagging marriage is worth saving.

Jenny was kind enough to stop by and answer a few questions.

Name three songs that would be perfect for the soundtrack of your book.

The Way You Look Tonight, sung by Rod Stewart
Let's Fall in Love, sung by Rod Stewart
Someone to Watch Over Me, sung by Rod Stewart

How do you approach writing your novel? Do you outline the plot? Start with a character or...?

I totally write by the seat of my pants. With SLEEPING WITH WARD CLEAVER I started out with a title and had to come up with an actual story. I tend to follow my nose as I write and am often so surprised when things lead back to other things and help to tie up loose ends. I'm a very organic writer, and probably organic in most all I do. I have a brother who has a list of life plans he follows. I am SO far removed from that level of organization it's not even funny! It's hard enough to make day plans for me LOL

Who are the top three writers who have influenced your writing style?

In the "big picture" I'd say J.D. Salinger and James Joyce. I love that first person narrative and the stream-of-conscious writing styles ever since first reading them years and years ago. I can't think of a specific third author but I will say I am really motivated by beautiful prose. I'll read a book with gorgeous writing and it inspires me to step up my own writing.

What do you like to do when you’re not writing?

Slave over a hot stove. No, really, I spend a lot of time with my family. I also do a LOT of driving, as my kids have a ton of activities that require that of me--sports, extracurricular things, etc. I love to cook but don't find the time much these days. I had been studying Italian and really love it, but I was regressing and got too busy with my book launch so had to put it on hold. I love to travel and we travel as much as we can (or as much as our credit card bill will allow us). I love to go out to dinner with friends, and we like to go to the movies a lot.

What and where is your favorite restaurant and why is it your favorite?

There's this really fun little Asian tapas martini bar in my town called Bang. The upstairs has a bunch of beat-up old couches that leave you at somewhat awkward angles to the coffee tables you eat at, but it's a really convivial place and there's always great music, great food, great drinks and great company. Love to go there with our best friends and catch up and just enjoy each others company.

Thanks Wendy for allowing me to visit!

Thanks for coming by, Jenny, and best of luck to you with SLEEPING WITH WARD CLEAVER!

Be sure and check out Jenny’s Web site.