Five Tips for Gaining Confidence in Your Writing

Erin Reel at The Lit Coach graciously asked me to write up a guest blog for her site. Check out my advice for becoming more confident with your writing HERE!

Writers Workshops at Harbor Books & Gallery

I'm excited to be a part of a great series of Writers Workshops at a wonderful independent bookstore, Harbor Books & Gallery, located in the Shops at Harbor Village in the charming hamlet of Princeton by the Sea, which is just north of Half Moon Bay in the San Francisco Bay Area.

Saturday, May 21 - 1pm - 3pm: The Fundamentals of Storytelling with novelist Vanitha Sankaran, author of Watermark: A Novel of the Middle Ages

Saturday, June 11 - 1pm- 3pm: Grab A Reader (Or an Agent!) With Your First Five Pages with novelist Wendy Nelson Tokunaga, author of the novels Midori by Moonlight and Love in Translation

Saturday, June 18 - 1pm - 3pm Travel Writing—Not Just Sipping Cocktails on the Beach! with freelance travel and adventure sports writer Jill K. Robinson whose articles have been featured in the San Francisco Chronicle, AOL Travel and more.

To sign up or to get more information about any of these classes, write to: harborbooksgallery@yahoo.com or call 650-726-4241

Hope to see you there!

Marriage in Translation: Foreign Wife, Japanese Husband

It took a while, but it's finally here -- yay! My e-book, Marriage in Translation: Foreign Wife, Japanese Husband is now available on Kindle! This book showcases interviews with 14 Western women who speak candidly about the challenges in making cross-cultural marriages work, both inside and outside Japan, and the joys and frustrations of adapting to a different culture. For the month of April, 50 percent of the proceeds will go to Japan Relief.

I want to give a special shoutout to my Japanese husband, Manabu Tokunaga, for all his technical help with this book (and the cover design!) as well as the great job he does of being my muse. :-) Arigato-sama!

THE PROVENCE CURE FOR THE BROKENHEARTED by Bridget Asher

Julianna Baggott is the author of seventeen books, most recently The Provence Cure for the Brokenhearted under her pen name Bridget Asher, as well as The Pretend Wife and My Husband’s Sweethearts. She’s the bestselling author of Girl Talk and, as N.E. Bode, The Anybodies Triology for younger readers. Her essays have appeared widely in such publications as The New York Times Modern Love column, Washington Post, NPR.org, and Real Simple. 

What the critics have said about The Provence Cure for the Brokenhearted:

“Fans of Under the Tuscan Sun will adore this impossibly romantic read.”
-- People

“Readers who enjoy ... Lolly Winston's Good Grief and Jane Green's The Beach House or travel-induced transformation books like Frances Mayes's Under the Tuscan Sun and Elizabeth Gilbert's Eat, Pray, Love will find common themes ... and become quickly invested in the lives of the deftly drawn characters.”
-- Library Journal



“Unabashedly romantic ... a real charmer about a Provencal house that casts spells over the lovelorn.” 
-- Kirkus Reviews

Brokenhearted and still mourning the loss of her husband, Heidi travels with Abbott, her obsessive-compulsive seven-year-old son, and Charlotte, her jaded sixteen-year-old niece, to the small village of Puyloubier in the south of France, where a crumbling stone house may be responsible for mending hearts since before World War II. There, Charlotte confesses a shocking secret, and Heidi learns the truth about her mother’s “lost summer” when Heidi was a child. As three generations collide with one another, with the neighbor who seems to know all of their family skeletons, and with an enigmatic Frenchman, Heidi, Charlotte, and Abbot journey through love, loss, and healing amid the vineyards, warm winds and delicious food of Provence. Can the magic of the house heal Heidi’s heart, too?

I enjoyed reading this book, which unfolds like a long and lovely, delicious, French meal and is just as satisfying! And I was so interested to find out more about Julianna, who wears so many writers’ hats. She is an inspiration to us all!

The Provence Cure for the Brokenhearted is one of your novels written under the pen name Bridget Asher. You also write YA books under another pseudonym (N.E. Bode) as well as poetry and other writing under Julianna Baggott. How did you come to take on these "multiple personalities" and how do you keep them separate and manageable? 

It's a little personality-disorder, isn't it? Bode came about as a way to keep being prolific. (I love N.E. Bode, dimpled with innocence, being hunted down by his insanely jealous creative writing professor. He's a peach.) Bridget Asher was an attempt to build an audience. My writing is such buckshot that I wanted readers to be able to find at least one name they could rely on. I hope Bridget delivers that.

You also are an associate professor for Florida State University's Creative Writing Program and received your MFA in Creative Writing from the University of North Carolina at Greensboro. What are your thoughts on the proliferation of MFA programs in the United States? Do you think MFA programs are preparing their students well for the tough world of publishing?

It's my job, primarily, to teach people how to write stronger in their own unique ways -- to develop empathy, voice, imagination, strategic thought, basically a number of transferable skills, things they'll need whether they become novelists, artists, or go into the art of politics, medicine, law. And so the market and the industry don't come up in workshop, proper. I do give lectures on the nuts and bolts of publishing. I bring in articles on the industry. We haul in agents and editors. We have a literary magazine where students get a feel for the editorial end. So, in the end, it's a mix. But at the fore, it's about craft, not career.  

What was the inspiration for writing The Provence Cure for the Brokenhearted? What do you want readers to take away from this book?

I wanted to write something multi-generational—ambitious in that way. I wanted to write about sorrow. The opening line is, “Grief is a love story told backwards.” I wanted to write about Provence. I wanted research I could eat. As for readers, I'm completely greedy. I want to work my way into their souls and I want to stay lodged there. (A little too much to ask for?)

Walk us through the development of The Provence Cure for the Brokenhearted. Did you end up changing anything in the structure during revision? Add or delete characters? Rework the backstory?

I knew the first half of the novel and I knew events in the second half—because we'd lived in this little village for a month and I'd stockpiled real life stuff. But I didn't know how these things would play out. And one of the characters had a huge secret that she didn't even let me in on—until someone else spilled it. I love it when my characters have lives of their own.

Who are among your favorites of current female novelists?

If you want funny, Rainbow Rowell's debut novel Attachments is uproarious. Marisa del los Santos just handed her latest into her editor, and I want to read over the editor's shoulder. I just blurbed a brilliant novel by Quinn Dalton, which is on the editor hunt right now. May I mention a poet or two? I will: Aimee Nezhukumatathil and Rachel Zucker. Chantel Acevedo's debut, Love and Ghost Stories? Check it out. And on and on....

What projects are you working on now?

A dystopic post-apocalyptic trilogy called Pure, which will be published in February. Film rights were bought by Fox2000. It's a massive thriller-esque world-building trilogy. A huge undertaking. Wild fun.

I'm also sketching the next Bridget Asher novel—the starry-eyed falling in love early days.

What was your road to publication like? What advice would you give aspiring writers in achieving success in publishing?

It's great if you have some bounce. Expect to fail. Be surprised by successes. It's hard. Be tough. Create a bond with rejection. Get chummy with criticism. 

As a professor, novelist, poet, YA writer, mother wife, literacy activist, blogger, etc., etc. (!) can you enlighten us on how you manage your time?

My husband is a stay-at-home dad. Otherwise, there's no way it could work. I use my freshest brain cells on my own creative work. I sometimes stay up late, playing catch up. My creative process has morphed to rely on near-constant interruption.

Do you work on books simultaneously? If so, what are the challenges of doing this?

I do. I call it cross-training. When one project fights me, I let it sit, but stay busy at work on another. It's a habit that leads to more overall pages.

The publishing and book industry has been undergoing much change. How has this affected you as a writer?

For one thing, being here (on a blog) is part of the new world. I prefer this (VERY MUCH) to touring. I love being at home and turning to blogs as a way of travel without planes. Things are changing very quickly. I'm fascinated. I think that there might be a growing power shift toward writers themselves. I don't understand it or how it will play out, but I'm optimistic about one thing: the endurance of story.

What and where is your favorite restaurant and what do you like about it?

Les Sarments. It's a tiny exquisite restaurant in the tiny village of Puyloubier, where The Provence Cure for the Brokenhearted is set. It's tucked away up a tiny narrow set of stone steps. Amazing. Get the cheese -- some of it is downright illegal. 

Visit Julianna at her blog at http://bridgetasher.blogspot.com/ and at her website at www.juliannabaggott.com.

 Bon chance, Julianna, with The Provence Cure for the Brokenhearted!

Book Signings: An Endangered Species

There are different kinds of book signings. There are the ones where you go into the bookstore and sign copies of your books that they have in stock. Then there is the author event where you sign books at a table and sometimes give a reading beforehand. 

My very first stock signing was in the fall of 2007 at Stacey’s Books, a major independent store in downtown San Francisco where they featured my debut novel, Midori by Moonlight, in a lovely display. I was thrilled and signed each book with the Cross pen my husband had given me to celebrate my first published novel. 

A couple of hours later I was at my first author event at the huge Borders store in Union Square where I read from my novel, answered questions and signed copies—another major thrill I’ll never forget. 

Stacey’s closed a few years ago, a victim of Amazon and the big box stores. Borders has just filed for bankruptcy and the Union Square store (one of the largest in California) is on the closure list. Things are changing in the publishing world and more and more people are purchasing their books through Kindles and iPads. Book signings are an endangered species and are set to become extinct—a quaint memory from the past, much like the album signings by your favorite rock star at Tower Records.

Japan, Funny Side Up by Amy Chavez

I’ve read a lot of guidebooks about Japan, but I’ve never encountered one like Japan, Funny Side Up by Amy Chavez. Chavez, the long-time “Japan Lite” columnist for The Japan Times (the country’s premiere English-language daily newspaper) has written a funny and insightful guide that not only gives readers excellent travel advice, but also offers valuable insights into Japanese culture and society.

Chavez keeps us laughing with essays like Etiquette Tips for Santa Claus and other Foreigners (“When you come inside the house—through the window, please—take off your boots and use the XXL slippers we’ve put out for your big gaijin feet.”) and Japan: A Nation Ruled by Cartoon Characters, which introduces such kawaii mascots perhaps not as well known to Westerners as Hello Kitty, such as Miffy, Afro Ken and Koge Pan, the animated burned bread roll. She also gives practical advice on traveling in Japan, including free off-beat places to explore, as well as tips on living in Japan and teaching English there.

Whether you’re planning a trip to Japan, thinking of relocating there or are just curious about this fascinating country, you’ll find Japan, Funny Side Up a highly entertaining read.

Chavez, who was born and raised in Dayton, Ohio, has been living in Japan for 17 years. I recently had the chance to ask her some questions about Japan, Funny Side Up and her life in Japan, her passion for all things Japanese and how she has come to write for a living.

How did you end up living in Japan?

I've been in Japan since 1993 (gasp!) and came over after getting my MA in Teaching English as a Second Language. I came to teach English at college.

How did you come to write for The Japan Times?

I have a BA in Creative Writing and another MA in Technical Writing. I knew I wanted to write for a living, but didn't think I could make enough money at it. I also loved to travel, so I figured a degree in ESL would allow me to live almost anywhere and teach, and then I could pursue my dream of writing. I landed the job as a columnist for the The Japan Times in 1997, after four years in Japan. I had done a lot of writing before that, mind you, but I really found my niche with the newspaper. It has been good to me and I now write for a living.

What made you decide to write a guidebook on Japan?

I had already turned down book offers by two major publishers, mainly because I didn't care for their contracts. Book contracts aren't that hard to get, but good book contracts are. So I took the book and made it into what I felt was needed, according to what was already out there in the market, what wasn't, and what I thought should be. I didn't want to write just another book about Japan. I wanted to write something provocative, something useful and something that offered a closer, more personal look at the country.

What differentiates Japan, Funny Side Up from all the others out there?

My aim with the book is to present Japan in the most honest but entertaining way possible based on my 17 years of living here. Japan is an endlessly fascinating country. Even after all these years, I still find out something new every day! This is what I want to share with others—an absolute passion for things Japanese.

In addition, I hope to pique peoples’ interest in Japan and get them thinking outside the box. So rather than just presenting some strange Japanese custom, I want readers to think how that custom came about and what makes it Japanese. This is the only way we can truly understand and respect another culture.

With the current popularity of blogs, videos, podcasts, Facebook, Twitter, etc, another aim of the book is to recommend places people can go to find more information on various subjects. There are so many good J-bloggers out there who work really hard, usually with no compensation for their work. So I want to highlight the people who are doing an outstanding job of presenting up-to-date information about what's happening here in Japan. That's something a regular book just cannot do. And while there are a lot of average sites on Japan out there, the really good ones deserve a mention.

Did you have any interest in Japan before moving there?

I had done quite a bit of traveling in third world countries so I thought that if I were going to settle down somewhere, I’d choose a developed country where I could make a good salary, enjoy a decent standard of living and save some money. Japan was still hot at the time, and the opportunity to teach came via my university. Teaching at university in Japan was my first real job. I had planned on staying for five years.

Have you formally studied the Japanese language? Can you read and write Japanese? Are you fluent?

I studied Japanese formally at a language school the first year I was here. All the other students at the school were Chinese studying to pass the Japanese university entrance exams, so I had to study very hard to keep up (they already knew the kanji). I was also working full time at the university then, so I didn’t have time to do homework. I would go to language school for four hours in the morning, go teach university in the afternoon, then go home and grade papers. Nonetheless, I still managed to learn to read and write Japanese.

You live on a remote island in Japan. Tell us how you ended up there and a little bit about what it's like to live there.

I had lived in Okayama city, for almost five years when I moved to the island. I was looking for traditional Japan in its raw, unadulterated form. I found it, in a big way, on this little island. The people welcomed me into their community and that’s when I found out how much I really didn’t know about Japan. I wouldn’t trade this little island for anything! The people are awesome—all 650 of them! Life on the island is a sub-theme in my next book, about running the 900-mile Shikoku 88-Temple Buddhist Pilgrimage, which I currently have an agent interested in.

Thanks, Amy!

You can get Japan, Funny Side Up as a Kindle e-book HERE.

Girlfriends Book Club

I'm part of an exciting new writers blog called the Girlfriends Book Club. You can check out my post on the inspiration I find as a writer from Mad Men HERE. Thanks!