Monday, July 12, 2010

Good-Bye to All That - by Margo Candela

Award-winning and prolific writer of sharp and funny books, Margo Candela, has a brand new novel coming out on July 13. Good-bye to All That (Touchstone/Simon & Schuster; $14/paper; 1-4165-7135-3) is all about Raquel Azorian, 25, who has spent the last three years working her way up from temp receptionist to full-time administrative assistant and is this close to getting her long-deserved promotion to junior marketing executive at Belmore Corporation, the media behemoth she’s devoted herself to. After proving she has what it takes in a contentious department meeting, Raquel is sure she’ll get her promotion. Instead, her boss suffers a very public meltdown, putting not only his future at Belmore, but also Raquel’s future on the line.

Work life is a mess. And home life isn’t much better. Raquel’s mother has decided to leave her father and move in with her. Now she spends her days boozing on Raquel’s couch and eating all her food. Her older brother is dealing with his own marital problems, her sister-in-law, Cricket, won’t leave her alone, and Raquel is forced to be the family’s intermediary.

Two men seem poised to change all this, however. Raquel begins sleeping with Belmore Vice President Kyle Martin, and discovers the very marketable hunk, Rory Tilley, from the little known film Fire House Hero. Raquel hopes that her relationship with Kyle and the unearthing of Rory will put her back on the fast-track to corporate stardom. But the clash of her personal and professional lives pushes her to the breaking point—starting over may be the only way out.

Margo's first novel with Touchstone, More Than This, was chosen as a Target Breakout Book, an American Association of Publishers BookClub selection with Borders Books and Las Comadres in 2008. It was the 2nd place winner for Best Novel in the Romance (English language) category at the 2009 International Latino Book Awards and the Latinidad List’s Best Chick Lit Book of 2008.

Recently Margo took some time out from her break-neck writing and movie-watching schedule to answer a few questions...

Describe your writing process.

There’s no excitement here. Most days of the week, I turn on my computer first thing in and turn it off when I can’t look at it anymore. Some days I do lot of writing, other days none, but I always know where I want to be by setting short and long term goals. Since I spend so many hours a day sitting, I make a point of getting regular exercise, at least an hour a day. As with anything in life, you have to find a balance.

A while ago you made the move from Northern California to Southern California. Any differences in the writing world and the writing life in SoCal vs. NorCal?

San Francisco is definitely much more laid back. I belonged to a writers group and we’d just sit around and chat. It was all very leisurely and more of an ‘enjoy the process and find your voice’ kind of thing. L.A. is different because everyone assumes you write for film or TV. And when they find out you don’t, they come right out and ask why you’re wasting your time on novels. That being said, I was born in L.A. and, while I loved living in San Francisco and wouldn’t mind living there again, this is where I’m from. While I’m not immersed in the TV or movie business, I do feel that there is a different creative vibe around here. It’s more about doing (or at least look like you’re doing something) than just talking about it.

You recently wrote a screenplay adaptation of your novel, More Than This. How was this process different from writing a novel? Would you like to write an original screenplay someday?

I’ve adapted More Than This and my second novel, Life Over Easy, and I recently finished a draft of an original screenplay. For me the difference between writing novels and writing screenplays is like going from writing a bike to a unicycle—same principles, but a different technique to get from point A to B. Script writing requires a whole other skill set that takes time and practice to get comfortable with. It’s not easier or harder than writing a 90,000 word novel, just different.

What do you like to do when you’re not writing?

Besides reading, especially in bed, I love to go to the movies. My biggest guilty pleasure is to sneak away from my desk for a matinee on a workday. I watch a lot of movies and TV. When I’m writing, I usually have something playing in the background. When I was writing More Than This, I had Black Hawk Down in my DVD player the whole time. For Good-bye To All That it was The Departed. By the time I sent the manuscript off to my editor, I could quote entire scenes of dialog.

What and where is your favorite restaurant and why is it your favorite?

At the moment, I don’t have a favorite restaurant, but I’ve eaten some good food. The food scene here in L.A. is nothing like what I took for granted in San Francisco. I’m still trying out places, but nothing has stuck yet. Having easy access to great food is one of the main things I miss about San Francisco. I also miss my friends and being able to just walk anywhere and not feel weird about it. I try to visit at least once a year and all I do is eat, walk and hang out with friends. But it’s not all a bad in L.A. I’ve gotten reacquainted with my mother’s cooking and she’s more than worth the time and effort it takes to drive over to see her.

Thanks, Margo! And congratulations on your latest novel!

Visit Margo at her website: www.MargoCandela.com

Friday, July 2, 2010

Wendy's Summer 2010 Newsletter

Hello Everyone,

Hope you're having a great summer so far. The June gloom here in Half Moon Bay, CA hasn't made me feel very summery, (thought we've been getting some sun lately!) but at the very least it's been keeping me indoors and writing. I'm excited to be putting the finishing touches on the draft of my third novel, which—surprise!—has nothing to do with Japan. It's about a congressman's sex scandal and the impact it continues to have on his wife and daughters some twenty years later.

Along with writerly pursuits, I'm excited to be doing a lot of teaching this summer and fall. Here's the scoop:

Writers Workshops
~ 6-Week Writers Workshop for Novel and Memoir Writers - July 14 - Aug 18 - Wed evenings - 6:30 - 9:30 pm
Whether you're just starting your novel or memoir, are ready to revise or have gotten nothing but rejections on your manuscript from literary agents, this inspiring and practical workshop held at my home in Half Moon Bay will be just right for you.

~ Your Novel: The Road to Publication: A One-Day Workshop in Half Moon Bay - Saturday, Aug 7 at the Beautiful Seal Cove Inn
This workshop for novelists will teach you how to hook readers with the first five pages of your novel, avoid common manuscript errors, write a query letter that will get the attention of an agent and more.

For info on both of these workshops click HERE

~ So Not Chick Lit: Writing Novels about Women’s Lives - Online course through Stanford University's Online Writer's Studio - Sept 27 - Dec 10
Info on this course should be available soon in Stanford's Continuing Studies Catalog and online HERE

~ Strong Beginnings: A Workshop for Novelists - Saturday, Sept 11 - 10:30am - 4:30pm - Book Passage Corte Madera
Had a great time teaching this workshop in May and am happy to return. We do "close readings" of the beginnings of successful published novels and then analyze students' first five pages in class. You can get more info at the Book Passage site later on this summer.

Love in Translation: Foreign Wife, Japanese Husband
I haven't had the chance to post any new interviews on cross-cultural marriage on my Chirashi Blog lately, but the good news is that these interviews (and more) will soon become an e-book! More details on this will be forthcoming. If you're married to a Japanese man and want to be part of this exciting project, drop me a line.

Twitter and Facebook
Yes, it's true: I'm addicted to social media. If you're a fellow junkie, please follow or "like" me or whatever they're calling it this week. And for business types, you can also connect to me on LinkedIn if you so desire.
Twitter
Facebook Fan Page
Facebook Profile Page
LinkedIn Profile Page

Odds and Ends
~ Are you a writer looking for some inspiration? In How to Write a Great Novel top authors share their methods for getting the story on the page.
~ Ever wonder why we are sold books the same way we are sold cell phones, as if the latest models deserve the most attention?
~ That great magazine Poets & Writers has just launched a Database of Literary Agents.
~ Seg-Book-Ation: Black Writers are in a Ghetto of the Publishing Industry's Making.
~ Want to work in Japan, have the skills, but not sure how to make the move? Get some tips HERE.
~ Finally got a chance to see Kiyoshi Kurosawa's powerful and poignant 2008 film, "Tokyo Sonata." Highly recommended.

Sayonara for now!

Wednesday, May 26, 2010

Secret Lives of Husbands and Wives by Josie Brown

My guest today is friend and fellow writer Josie Brown, whose new novel, Secret Lives of Husbands and Wives, comes out on June 1.

The book explores the perceptions and deceptions affecting two marriages.

The Harpers, Lyssa and Ted, are socially entrenched in the tony Silicon Valley town of Paradise Heights, California, unlike DeeDee and Harry Wilder, who are admired by all, but politely aloof to their neighbors. Then word gets out that DeeDee has walked out on Harry and their two children. Gossip runs rampant through the Heights. Was DeeDee having an affair? Is it true that Harry is fighting her for everything—even the dog?

Lyssa's friends gossip about the neighbors while ignoring their own problems: infertility, infidelity, and eating disorders. The truth is, if the community's "perfect couple," Harry and DeeDee, can call it quits, what does that mean for everyone else?

At least one of the rumors is true: to hold on to his children and his home, Harry, once a workaholic, realigns his life and becomes a stay-at-home dad. Touched by his efforts at trial-by-error single parenting, Lyssa befriends him, never realizing the effect their relationship will have on her close-knit circle of friends—or its explosive impact on her own marriage.

Josie's previous novels are Impossibly Tongue-Tied and True Hollywood Lies. You can read excerpts of all her books on her website HERE. As a journalist, her celebrity profiles and articles on pop culture and lifestyle trends have appeared in numerous magazines and media outlets, including Redbook, Complete Woman and via the Los Angeles Times Syndicate International. She is also the Relationships Channel editor at SingleMindedWomen.com. Josie lives in Marin County, California with her husband and two children.

In this interview Josie talks about what inspired her to write her latest novel and shares some valuable tips and advice to those looking to get a book deal.

What was the inspiration behind the writing of Secret Lives of Husbands and Wives?
I wanted to write a "fish out of water" book. One plot that struck my fancy was that of a Master of the Universe who decides to change direction and become a stay-at-home dad. For most overachievers, the usual reason for doing so is widowhood -- very dramatic! -- or, as of lately, a layoff at work . . . But I thought a more interesting catalyst could be spousal desertion. And certainly ego: Harry, the jilted husband is out to prove that a father can also be a great "mother" to his children. This was always planned to be a woman's story. In fact, it is told in first person, from the perspective of a neighbor, Lyssa, who is watching the implosion of this planned community's "perfect couple." To her dismay, their breakup is providing titillating fodder for her social set. Her goal is to make sure that this new stay-at-home dad doesn't get lost in the Siberbia. Through the process, Lyssa comes to realize that there are many parallels between her marriage and his.

What is your advice for those who looking to get their novel published?
"Last author standing." By that, I mean don't give up. While there are times you feel as if you're knocking your head against the wall, bottom line: if you aren't in the game, you can't win at it. But if you are going to make this your profession and avocation, study the craft. That's where a lot of aspiring novelists fall down before they even get picked up by a publisher. And yes, you do need an agent, if you want to stay in the game for the long haul, as opposed to getting in a situation where you have no advocate who can help you plan a career, as opposed to a book.

Who are the top three writers who have influenced your writing style?
I'd have to say (1) Margaret Mitchell.I read Gone with the Wind 13 times prior to the age of 16. It's a Southern thing, I guess. But now her phrasing and cadence permeates my own style.); (2) Edith Wharton. She wrote of the women of that time and place and circumstances of their time with a piquant eloquence and great plotting. (3) John LeCarre. He doesn't write about spies, but about humans caught up in a dirty business and politics and love. He writes poetry as prose.

Describe how you got your first book deal.
I was very lucky. Fate dealt me a "who you know." Still, if you don't deliver, it won't get published.

In my case: my husband and I had written a self-help book, self-published it, and sent copies to every friend we had. One of them, Emily Kischell, had just moved to New York and was working as an assistant to one of the biggest literary agents in the business. Seriously, we didn't really know that at the time, just that she had moved there. Turns out she loved the book, and handed it to her boss, Al Zuckerman, saying, "You have to rep these guys!' When he called, he said, "Your book just landed on my desk, and while I haven't read it yet, it comes highly recommended, and I'm looking forward to reading it this weekend." Me: "That's nice." (Heck, I didn't know who he was. I thought he was a book reviewer!) He: "You don't know who I am, do you?" Me: "Um...no, but by the next time we speak, I'll know everything about you." (Research is part and parcel of being a journalist. Unless it comes to knowing who your friends work for, apparently!) He: "I'm a literary agent. I represent Stephen Hawking and Ken Follett." Me: "Hmmmm...well then, I know you'll just LOVE what you read!"

Pretty heady company. I was cocky to say that. But at that point, I had nothing to lose, and a lot to gain...

As it turns out, he did like it, at least enough to take us on. He didn't sell that book for us, but came to me with another project that he knew an editor wanted. It was a "chick lit" (that word is blasphemy now) dream dictionary. I spent the weekend writing a 4,000 page sample. She felt it was too tongue-in-cheek for her (!!!! Helooooo! Chick lit, right?) but we sold it to St. Martin's.

Now that I had a taste of literary blood in my mouth, I wanted to sell fiction. I wrote the first five chapters of True Hollywood Lies, and it sold in a two-book deal, at auction.

What is one thing you’ve learned about the publishing industry since getting your first book deal?
Whereas I had an interesting success early on, fate does play mean tricks on writers. You may have a great editor, but then she leaves the business, so you have no editor. Or you may end up with an editor who buys you on a whim, but doesn't really know what to do with you, so you languish. You can have a great agent -- for someone else, but not for you, if they don't naturally lean toward your writing voice. After all, your agent is your biggest cheerleader. If s/he in his/her heart can'tt sell what you want to write, put both yourselves out of misery and move on. Yes, you will find a new agent: hopefully one who gets your writing style and wants to represent you.

Describe your writing process.
A premise will come to me. I'll outline it fully: beginning, middle and end. This is very important to me. If feel that most of the writers I know who start with a great premise but don't know where it's going or how it ends usually end up with a project that never gets completed, or a book that befuddles the reader. I do pass the concept by my agent -- these days, my agent is Holly Root at Waxman Literary -- and if I get a good gut reaction, I know my idea is validated. I make sure she likes my two-page synopsis, and I also write at least fifty pages, so that she can hear the voice. She offers wonderful ideas on plot and character. Currently I'm working with a wonderful editor, Megan McKeever at Simon & Schuster. Editing is an integral part of the process. It's good to have someone who second guesses your characters' motivations. You want to leave your readers wanting more, and loving the depth of your story. Editors are also your advocates within your publishing house. You have to appreciate what you may not know or see of what they do on your behalf. Don't be afraid to ask questions of the process. Remember, you're on the outside looking in. They are part of your team -- and publishing is an inside job.

What do you like to do when you’re not writing?

Hike. I live in Marin County, which has the largest amount of national parkland of any county near a big city. The trails surrounding Mt. Tam are spectacular, and offer views of the Pacific Ocean, the San Francisco Bay, and of course San Francisco. In other words, I live in Heaven

What and where is your favorite restaurant and why is it your favorite?
Blowfish Sushi, on Bryant, in San Francisco. They are creative, the atmosphere is like a hip private party, and the management rocks. When you go in, as for Anna.

Thanks, Josie! And best of luck with Secret Lives of Husbands and Wives!

Sunday, May 2, 2010

Midori by Moonlight Giveaway!



During the month of May I'm running giveaways of signed copies of MIDORI BY MOONLIGHT.

Please go to my website for the scoop!

Tuesday, April 13, 2010

Hand of Fate by April Henry and Lis Wiehl


My guest today on the GCC Lit Blog Tour is April Henry, co-author with Lis Wiehl, of Hand of Fate, the latest book in their successful Triple Threat mystery series.

When the host of a popular radio talk show is murdered, the suspects almost outnumber his millions of listeners. Outspoken radio talk show host Jim Fate dies after he opens a package that releases poisonous gas while his polarizing show, "The Hand of Fate," is on air. In the ensuing panic, police evacuate downtown Portland. Soon the Triple Threat of FBI Special Agent Nicole Hedges, crime reporter Cassidy Shaw, and Federal Prosecutor Allison Pierce begin piecing together the madness, motive, and the mystery that lie behind Fate’s murder.

While Lis has worked with Bill O’Reilly for years (often serving as the voice of reason or his liberal foil, depending on your point of view), the character is in NO WAY based on O’Reilly.

This is the second in the Triple Threat mystery series, which has been optioned for television. The first, Face of Betrayal, was on the New York Times bestseller list for four weeks. And in April 2011, readers can look for Heart of Ice, which traces the path of destruction left by a sociopath and based on a real-life case Lis prosecuted.

About the Authors:
Lis Wiehl is a former federal prosecutor who is now a legal analyst for FOX-TV.

April Henry grew up in a little town in Southern Oregon where the main industries were timber and pears. When she was was 12, she sent Roald Dahl a short story she had written about a six-foot-tall frog named Herman who loved peanut butter. He not only wrote her back, but also showed it to the editor of an international children’s magazine, who asked to publish it.

Since then, April has written nearly a dozen mysteries and thrillers for adults and teens, with seven more on the way. Look for her young adult thriller—Girl, Stolen—coming this October.

April was kind enough to answer a few questions...

What was the inspiration behind the writing of Hand of Fate?
Lis and I were sitting with the publisher in Nashville, and he said he would love for us to do a book where we killed off a character like Bill O’Reilly, whom Lis has worked with for years. We actually managed to work in a number of references to other radio talk show hosts—about ten in all.

Describe how you got your first book deal.
It was actually the fourth book I wrote. The first book got rejection letters from agents, the second got me my agent and some nice rejection letters from editors, the third got me curt rejection letters, and the fourth sold in three days. So it was my eight-year overnight success.

What is one thing you’ve learned about the publishing industry since getting that book deal?
“Tireless self promoter” sounds ugly to everyone but your publisher. [Love this!]

What is your writing schedule like?
Two hours in the morning and two hours in the afternoon. Often, the writing stretches into the evening.

What do you like to do when you’re not writing?
Run, go to kung fu class (The most fun ever! It's great to hit the bag really, really hard), read, and try out new cookbooks.

Thanks, April, and hope fate is kind to Hand of Fate.

Tuesday, March 16, 2010

Winging It: A Memoir of Caring for a Vengeful Parrot Who's Determined to Kill Me - by Jenny Gardiner


My guest today on the Girlfriend's Cyber Circuit Lit Blog Tour is Jenny Gardiner, author of the new memoir, Winging It, which is out today from Gallery Books.

Like many new bird owners, Jenny and Scott Gardiner hoped for a smart, talkative, friendly companion. Instead, as they took on the unexpected task of raising a curmudgeonly wild African grey parrot and a newborn, they learned an important lesson: parrothood is way harder than parenthood. Winging It is a hilarious and poignant cautionary tale about two very different types of creatures, thrown together by fate, who learn to make the best of a challenging situation.

A gift from Scott’s brother who was living in Zaire, Graycie arrived scrawny, pissed-off, and missing a lot of her feathers. Every day became a constant game of chicken with a bird that would do anything to ruffle the couple's feathers.

The old adage about not biting the hand that feeds you—literally—never applied to Graycie.

But Jenny and Scott learned to adapt as the family grew to three children, a menagerie of dogs and cats, and, of course, Graycie. Winging It is a laugh-out- loud funny and touching memoir, as Jenny vividly shares the many hazards of parrot ownership, from the endless avian latrine duty and the joyful day the bird learned to mimic the sound of the smoke detector, to multiple ways a beak can pierce human flesh.

Jenny Gardiner first appeared on the GCC tour as the author of the award-winning novel Sleeping with Ward Cleaver. Her work has appeared in Ladies Home Journal, and the Washington Post. She writes a column of humorous essays for Charlottesville, Virginia’s newspaper, the Daily Progress.

Jenny lives in central Virginia with her family and took some time out from her busy schedule to answer a few questions...

What was the inspiration behind the writing of Winging It?

Winging It came about because people were always so darned amused at stories about our parrot. We could host a dinner party and spend half the night with people cracking up about the things she says and does. I have a column in our local paper and wrote a piece about her a while back. Readers were so interested in more and that grew into this book!

What is one thing you’ve learned about the publishing industry since getting your first book deal?

You have to be really strong and true to yourself to tough it out in this business. And be your own biggest advocate. Publishing is not for the faint of heart. I think any creative venture is subject to the vagaries of subjectivity, so regardless of your ability it takes much more than just that to succeed. Sure, most often, you need to have writing chops (well, not that Pamela Anderson did, but still...). But you must have an unyielding faith in yourself and a whole lot of intestinal fortitude to withstand the rejections and to not take them personally. Because it happens to everyone. And there was a time when once you'd published your first book that meant all of your books got published. Those days are gone now, and most authors need to be content with slight incremental improvements in their career while the publishing industry weathers this economy and the really core-of-the-earth types of paradigm shifts that are happening in the business right now.

Who are the top three writers who have influenced your writing style?

Gene Shepherd (In God We Trust All Others Pay Cash); JD Salinger (Catcher in the Rye); Meg Cabot (just about anything--I love her voice)

What is the elevator pitch for Winging It?

Think David Sedaris meets Marley & Me, with a deadly beak

What is your advice for those who looking to get their novel published?

Learn the business. Network, meet people, understand how it all works so that you can figure out how to make sure you can advance. Read what is selling in the market and try to glean what trends are out there. Although don't write to a trend--write what's in your gut, and make it the best it can be. Remember those who are ahead of you in the business who take the time to help you out and remember to be that person when you become successful. It's a very tough business and it's really wonderful to have the kindnesses of others to usher you along as you navigate choppy waters. And believe in yourself. Don't let rejection get you down (easier said that done). If you start to feel your confidence waning, go back and read your best work, and remember that you're doing this because you love to write. And then write as if you love to write.

Get more info at Jenny's website HERE.

And be sure to check out Graycie the Parrot on YouTube and Jenny's video interview.

Monday, March 1, 2010

Drive Time by Hank Phillippi Ryan


My guest today on the Girlfirend's CyberCircuit Lit Blog Tour is Hank Phillippi, author of the brand new mystery DRIVE TIME from MIRA Books.

Investigative reporter Charlotte McNally is an expert at keeping things confidential, but suddenly everyone has a secret, and it turns out it may be possible to know too much. Charlie's latest TV scoop--an expose of a dangerous recalled car scam complete with stakeouts, high-speed chases and hidden-camera footage--is ratings gold. But soon that leads her to a brand new and diabolical scheme (incredibly timely!) that could put every driver in danger.

Charlie's personal and professional lives are on a collision course, too. Her fiancé is privy to information about threats at an elite private school that have suddenly turned deadly.

Charlie has never counted on happy endings. But now, just as she's finally starting to believe in second chances, she realizes revenge, extortion and murder might leave her alone again. Or even dead. When everyone has a secret, the real mystery is knowing when to tell.

Award-winning investigative reporter Hank Phillippi Ryan is on the air at Boston's NBC affiliate. Her work has resulted in new laws, people sent to prison, homes removed from foreclosure, and millions of dollars in restitution. Along with her 26 EMMYs, Hank has won dozens of other journalism honors. She's been a radio reporter, a legislative aide in the United States Senate and an editorial assistant at Rolling Stone Magazine working with Hunter S. Thompson.

Her first mystery, the best-selling PRIME TIME, won the Agatha for Best First Novel. It was also was a double RITA nominee for Best First Book and Best Romantic Suspense Novel, and a Reviewers' Choice Award Winner. FACE TIME and AIR TIME are IMBA bestsellers and the latter has just been nominated for an AGATHA award for Best Novel of 2009. DRIVE TIME earned a starred review from Library Journal. Hank is on the national board of Mystery Writers of America.

Hank stopped by to answer a few questions...

Growing up, did you ever think you’d be an investigative reporter?

Definitely—not. You know, I have a funny juxtaposition of desire to be in the spotlight—and sheer terror of being in the spotlight. I love my job in TV—and have to go live and unrehearsed all the time. Confession: I’m still terrified every time. I want to be perfect, and when you’re on live, you can’t possibly be. That’s one reason why I love investigative reporting—there’s more time to work, and dig, and polish, and produce, It’s like making a little movie, and I can make it as perfect as possible.

Anyway, my sisters and I used to create musical shows when we were all young, and perform for our parents in our backyard. I did acting in high school and college. I wanted to be a DJ on the radio for a long time! But I thought I would be an English teacher, or a lawyer for the Mine Workers union, or for awhile, a political activist.

(My mother, though, says she always knew I would be a television reporter—but I think that was just her way of rationalizing that all I did as a pre-teen and teenager was read books and watch TV.)

I knew from my first Nancy Drew that I loved mysteries. Nancy was my first best friend—I was a geeky unpopular kid, and it was such a relief to go home and hang out with Nancy. She was smart, and made it be okay to be smart. She was confident and inquisitive and resourceful. I loved that. But being a TV reporter was not in my sights. Little did I know!

How did the character of Charlotte ‘Charlie’ McNally come about?

I have NO idea. She was born when I got a weird spam in my email. It was what looked like lines from a play by Shakespeare. I thought--why would someone send a spam like that? And it crossed my mind--maybe it's a secret message.

I still get goose bumps when I think about it. And I knew, after all those years of wanting to write a mystery, that was my plot. And that turned out to be the Agatha-winning PRIME TIME. But Charlie? Well, I knew I had a good story, but who would tell it? A television reporter, of course. And she just instantly popped into my head. Named, fully formed. I knew her perfectly.

The other characters were more difficult to get to know. But now, Charlie surprises me a lot! And I love when that happens.

Is she anything like you? Has she ever done anything you wouldn’t do to get your story?

When my husband talks about Charlie, he calls her “you.” As in—when “you” are held at gunpoint, when you track down the bad guys, when you solve the mystery… and I have to remind him, “Sweetheart, it’s fiction. It didn’t really happen.”

 But a couple of things: I’ve been a TV reporter for more than 30 years, and so it would be silly in writing a mystery about TV not to use my own experiences. Think about it—as a TV reporter, you can never be wrong! Never be one minute late. Never choose the wrong word or miscalculate. You can never have a bad hair day, because it’ll be seen by millions of people! It’s high-stakes and high-stress—literally, people’s lives at stake--and I really wanted to convey that in the books.

 And everything that TV people do and say in the books is authentic and genuine. (Of course, Charlie can say things I can’t say, and reveal things I can’t reveal.) We’re both devoted journalists, and over-focused on our jobs.

But Charlotte McNally is different, too. She’s single—I’m happily married. She’s ten years younger than I am, and so is facing different choices and dilemmas. She’s braver than I am, certainly. Funnier. And a much better driver.

What is your advice to fledgling writers and journalists?

For journalists: Don’t be afraid. Be very afraid. Be scrupulously careful. Think. And think again. Never give up.

For writers? On my bulletin board there are two quotes. One is a Zen saying: “Leap and the net will appear.” To me, that means: Just do it. The other says “What would you attempt to do if you knew you could not fail?” And I think that’s so wonderful—just have the confidence to carry on. Writing is tough, arduous, not always rewarding in the moment—but no successful author has ever had an easy path. When you hit an obstacle, pat yourself on the back. You’re a writer!

Thanks, Hank, and we wish you continued success with your novels!